workshop

Presented by Byron Au Yong and Aaron Jafferis CHAIR: Lei Ouyang Bryant (Swarthmore College) Join composer Byron Au Yong and writer Aaron Jafferis as they teach material from Activist Songbook, a collection of 53 songs and raps to counteract hate. Material for Activist Songbook is based on interviews of Asian American, immigrant, and refugee organizers.  The project continues in multiple cities with interviews, workshops, and performances through the next U.S. Presidential Election on November 3, 2020.  Join us for this interactive workshop using story-sharing, songs, and raps to regain hope and activate change. Created as part of (ex)CHANGE: History Place Presence, a project of Asian Arts Initiative, www.asianartsinitiative.org  Original support for (ex)CHANGE: History Place Presence was provided by The Pew Center for Arts & Heritage, Philadelphia. Additional support from Montalvo Arts Center Lucas Artists Residency Program and Wing Luke Museum of the Asian Pacific American Experience.

In partnership with Music of Asian America Research Center and University of Pennsylvania Asian American Studies Program, we present the third annual PAAFF Conference. This year’s three-day conference explores the Music of Asian America through a series of paper presentations and interactive workshops that will run parallel to festival film programming, punctuated by two live musical showcases on Friday and Saturday nights during Opening Weekend. Bringing together filmmakers, academics, and other creatives - the PAAFF Conference presentations include many of the leading scholars on these subjects and top performing artists in their field. All conference programs are FREE and open to the public, RSVP advised due to limited seating capacity. Chair:  Micaela Bottari How can Non-Western music and dance be preserved and practiced in a way that honors social-politico-historical contexts and cultural identity?  Should we avoid transactional learning experiences when music and dance is traditionally part of the lifestyle, not a performance? When can “cultural art” enter the Western realms of “high art”? Does the meaning of traditional music and dance change when practiced by diaspora and outsiders? These are all questions Sining Kapuluan, a Brooklyn-based educational arts group, focuses on when learning and performing music and dance inspired by traditional Filipino culture. The Philippines in particular has a complicated history of colonialism, war, and political unrest. Yet, her culture is rich with beauty. In a country consisting of over 7,000 islands, there are areas with music and dance practices that have survived the many changes and continue to be practiced today. A growing community of Filipinos and Filipino diaspora want to keep these traditions alive—including Sining Kapuluan. Sining Kapuluan traces their roots to 2nd and 3rd generation Filipino and Filipino American artists in the San Francisco Bay Area who have learned directly from masters in Maguindanao and Cotabato. The group’s repertoire incorporates kulintang, dabakan, gandingan, malong, pangalay, and much more. Sining Kapuluan will share their distinct learning process, and talk about their individual journeys in the arts and identity exploration.