Institute of Contemporary Art
118 S 36th Street, Philadelphia, PA, United States
In partnership with Music of Asian America Research Center and University of Pennsylvania Asian American Studies Program, we present the third annual PAAFF Conference. This year’s three-day conference explores the Music of Asian America through a series of paper presentations and interactive workshops that will run parallel to festival film programming, punctuated by two live musical showcases on Friday and Saturday nights during Opening Weekend. Bringing together filmmakers, academics, and other creatives - the PAAFF Conference presentations include many of the leading scholars on these subjects and top performing artists in their field. All conference programs are FREE and open to the public, RSVP advised due to limited seating capacity. Chair: Micaela Bottari How can Non-Western music and dance be preserved and practiced in a way that honors social-politico-historical contexts and cultural identity? Should we avoid transactional learning experiences when music and dance is traditionally part of the lifestyle, not a performance? When can “cultural art” enter the Western realms of “high art”? Does the meaning of traditional music and dance change when practiced by diaspora and outsiders? These are all questions Sining Kapuluan, a Brooklyn-based educational arts group, focuses on when learning and performing music and dance inspired by traditional Filipino culture. The Philippines in particular has a complicated history of colonialism, war, and political unrest. Yet, her culture is rich with beauty. In a country consisting of over 7,000 islands, there are areas with music and dance practices that have survived the many changes and continue to be practiced today. A growing community of Filipinos and Filipino diaspora want to keep these traditions alive—including Sining Kapuluan. Sining Kapuluan traces their roots to 2nd and 3rd generation Filipino and Filipino American artists in the San Francisco Bay Area who have learned directly from masters in Maguindanao and Cotabato. The group’s repertoire incorporates kulintang, dabakan, gandingan, malong, pangalay, and much more. Sining Kapuluan will share their distinct learning process, and talk about their individual journeys in the arts and identity exploration.
Lightbox Film Center
3701 Chestnut St, Philadelphia, PA, United States
Philadelphia Premiere Director: Bobby Choy and Steve Lee 85 mins | Drama | South Korea, USA | Korean, English Get Tickets Fiction and Other Realities is the story of Bobby Choy, a 20-something Korean American residing in New York City who feels like a stranger in the country in which he was born. After his father’s death, he starts writing sad songs but does not perform them very often. Mostly, he sings softly in his bathtub. Because of the thin walls of his apartment, his friend Billy—lead singer of the band Paper Kings—hears him and offers him a job as a roadie for the band’s upcoming tour, which includes a stop in Seoul. At first Bobby is hesitant, as he would be away from the only society he truly knows. But after mulling over the pros and cons, he decides to seize the opportunity to learn about his parents’ homeland. There he meets Ina, a young graduate student who performs for fun. Watch Trailer Bobby Choy is expected in attendance for a post-film Q&A and will be performing during the Musical Showcase to follow.
Institute of Contemporary Art
118 S 36th Street, Philadelphia, PA, United States
CHAIR: Mandi Magnuson-Hung (Wells Fargo History Museum) One of the most enduring stereotypes in North America is the emasculated Asian male. Created in the late 19th century, this belief arose partly because early Chinese immigrants often had queues and wore silk gowns, and partly because they were forced to take jobs doing what many White Americans considered “women’s work.” As several recent polls and Steve Harvey’s putdown of Asian men demonstrate, this stereotype is still alive and well today. This panel explores how Asian American musicians and the World War II Museum in New Orleans have dealt with issues of Asian masculinity. PANELISTS: Alan Parkes (New York University) Asian American Hardcore: Defying Inveterate Conservatism in Subculture The economic and social conditions of the 1980s offer insight into the era’s youth cultures. The ways in which these conditions affected race and how this was mirrored among youth unveils the influence of prevailing conservative principles on youth cultures, particularly within hardcore punk and its largely white membership, in which purported opposition to larger social structures alternatively turned to subcultural conservative representation. Limited Asian American participation in hardcore stems from this representation. Employing oral histories from Asian American hardcore members, this paper emphasizes their participation in the music scene, how they defied the racial makeup of the subculture, and consequently its adherence to conservatism. Dan Blim (Denison University) Music for the Pacific Theater: Scoring Asian Identities at the WWII Museum In this paper, I consider how three spaces in the World War II Museum in New Orleans continually recast visitors’ understanding of the Japanese and Japanese Americans - drawing on exhibition theory, fieldwork at the museum, and interviews with the museum and audio installation staff. Comparing these three spaces together illuminates both the broader challenges museums face when tackling legacies of race and violence and how sound specifically works to meet those challenges. Donna Kwon (University of Kentucky) Empathetic Asian American Queer Masculinity, Juxtaposed Narratives, and Double Consciousness in the Music of St. Lenox In this paper, I focus on singer-songwriter Andrew Choi, who goes by the moniker St. Lenox. Through video analysis, I hone in on his prominent use of juxtaposed extra-lyrical narrative and horizontal split-screen video production. I posit that these techniques reinforce a sense of “double consciousness” (Du Bois) often experienced by many “hyphenated” Americans. By drawing on performance observations and interviews, I will examine Choi’s double-ness (or other potential hyphenations) in light of his immigrant experiences and queer identity.
Institute of Contemporary Art
118 S 36th Street, Philadelphia, PA, United States
Presented by Byron Au Yong and Aaron Jafferis CHAIR: Lei Ouyang Bryant (Swarthmore College) Join composer Byron Au Yong and writer Aaron Jafferis as they teach material from Activist Songbook, a collection of 53 songs and raps to counteract hate. Material for Activist Songbook is based on interviews of Asian American, immigrant, and refugee organizers. The project continues in multiple cities with interviews, workshops, and performances through the next U.S. Presidential Election on November 3, 2020. Join us for this interactive workshop using story-sharing, songs, and raps to regain hope and activate change. Created as part of (ex)CHANGE: History Place Presence, a project of Asian Arts Initiative, www.asianartsinitiative.org Original support for (ex)CHANGE: History Place Presence was provided by The Pew Center for Arts & Heritage, Philadelphia. Additional support from Montalvo Arts Center Lucas Artists Residency Program and Wing Luke Museum of the Asian Pacific American Experience.
Reading Terminal Market
12th & Arch Streets, Philadelphia, PA, United States
Several market vendors will be adding limited quantities of Filipino dishes to their menus for one-day-only as part of our Filipino Food Sunday event. Vendors confirmed to date include Sang Kee (Seafood Palabok) and Flying Monkey Bakery (Ube Cupcakes)
Institute of Contemporary Art
118 S 36th Street, Philadelphia, PA, United States
Academy Award®-nominated filmmaker Arthur Dong’s documentary Forbidden City, USA takes you inside the glamorous world of Chinatown nightclubs in World War II San Francisco. You will meet the “Chinese Fred Astaire,” the “Chinese Sophie Tucker,” and the “Chinese Sally Rand.” Eighty years before the all-Asian cast of Crazy Rich Asians made box office headlines, the world famous Forbidden City nightclub was shocking America with its “all-Chinese” American floorshows. Digitally re-mastered by UCLA Film & TV Archive from original film negatives, Forbidden City, USA unearths the stories of ground-breaking Asian American entertainers from a bygone era, telling the true-life stories that inspired both the musical Flower Drum Song and Lisa See’s novel China Dolls. Film will be introduced by Music of Asian America Research Center Eric Hung.
Lightbox Film Center
3701 Chestnut St, Philadelphia, PA, United States
The low-lying Pacific nation of Kiribati faces a daunting challenge: imminent annihilation from sea-level rise. As Anote Tong, Kiribati’s President, races to find a way to protect his nation’s people and maintain their dignity, many iKiribati are seeking safe harbor overseas. Set against the backdrop of international climate negotiations and the fight to recognize climate displacement as an urgent human rights issue, Anote’s personal struggle to save his nation is intertwined with the extraordinary fate of Sermary, a young mother of six, who decides to migrate her family to New Zealand. At stake are the survival of Sermary’s family, the iKiribati people, and 4,000 years of iKiribati culture—yet the story also serves as a cautionary tale for low-lying populations everywhere. Get Tickets
Lightbox Film Center
3701 Chestnut St, Philadelphia, PA, United States
Philadelphia Premiere Director: Alexandra Cuerdo 79 mins | Documentary | USA | English Get Tickets In this delicious new documentary, Filipino-American filmmaker Alexandra Cuerdo follows the rise of Filipino food via the award-winning chefs who are crossing over to the center of the American table. Watch Trailer Ulam: Main Dish stages this new culinary movement as not only a remarkable achievement for American restaurateurs but also as a validation of Filipino culture. The film confronts issues inherent in representing both Filipino and American identity as well as challenges from both the Filipino community and the world at large. Ultimately, Ulam is a celebration—and confirmation—that Filipino food and Filipinos are here to stay. Director Alexandra Cuerdo expected in attendance for a post film Q&A followed by a catered reception featuring Filipino food. Centerpiece RECEPTION 8-9:00pm | Lightbox Film Center
InterAct Theater
302 S Hicks Street, Philadelphia, PA, United States
Live Performance Writer & Director: Stephanie Kyung-Sun Walters 90 mins | Live Performance Celeste Moon is new to internet fame. Followed on social media and IRL, this hyper-trendy insta-poet is no stranger to looking over her shoulder. But after a series of mysteriously specific packages falls into her hands, she is forced to face her stalker. Will he ghost her or haunt her? Keep Me Posted by Stephanie Kyung-Sun Walters examines the presence of technology in our society and the struggles of online dating. Bio: Stephanie Kyung-Sun Walters is an emerging playwright in Philadelphia and founding member of the Philadelphia Asian Performing Artists. She’s a second-year member of The Foundry and studies with PlayPenn. Stephanie’s work gives new life to Korean mothers, evil dictators, lost lovers, bright children, dying Chinatowns, dating apps, and punk rock goddesses. Her most recent play, Are You My Father or the dream ballet of north korea, received a workshop and reading with PlayPenn and HBMG Foundation’s National Writers Retreat as well as a residency with Philadelphia Asian Performing Artists/Asian Arts Initiative. Additional plays have been produced and developed with Dragon’s Eye Theatre, Philadelphia Women’s Theatre Festival, Asian Arts Initiative, Revamp Collective, and Philadelphia’s Future is Female Festival. Stephanie is also a proud member of Actor’s Equity Associate, a Barrymore Nominated actress, and a teaching artist. She is graduate of Bucknell University, the London Dramatic Academy, and CAP21. Stephanie’s whimsical, comedic, curious, and AZN plays can be found on NPX.
Fleisher Art Memorial
719 Catharine St, Philadelphia, PA, United States
East Coast Premiere Director: Steve Arounsack 40 mins | Documentary | Lao People’s Democratic Republic | English, Lao After 25 years of silence, the private Lao music and film industries are reawakening. Filmed over 10 years, Getting Lao’d follows a new generation of young pioneers as they reimagine Lao media in a communist country. The film features many of the country’s most prominent musicians and filmmakers, and is perhaps the most comprehensive examination of the media landscape in Laos. Many neighboring countries in Southeast Asia have seen their music and film industries remain vibrant. Media in Laos, however, remains shrouded in mystery due to its landlocked geography and restrictive political environment. This documentary provides an extremely rare look at a new generation that tipped the cultural fulcrum. It is a story about a small country with a big heart. Screens with Phetmixay Means Fighter 12 mins | USA Director: Rita Phetmixay Lao American refugee Phoutone Phetmixay shares his experiences as an anti-communist rebel in Laos in this short documentary. Through trials and tribulations, Phoutone is able to survive a series of challenging encounters before escaping to the United States to start a new life. Director Rita Phetmixay expected in attendance.
US Premiere Director: Yoshiaki Kasatani 61 mins | Documentary | Japan | Japanese Atelier Yamanami is a care facility for the disabled located in Koka, Shiga Prefecture in Japan. Currently, 88 users are registered as artists, all of whom possess a unique way of expressing themselves through various media and whose works are highly valued abroad. This documentary explores these artists’ “relationship between their mental states and their art.” Screens with Morgan 6 mins | USA Director: Eiko Fan, Aidan Un Morgan has very limited mobility. He can swing his feet a little, and he moves his middle finger to paint large paintings. He cannot speak but his eyes can direct the computer to tell what he wants to say a little. His paintings speak of his unique ability and intention to express himself. Director Eiko Fan expected in attendance with film subject Morgan.
Lightbox Film Center
3701 Chestnut St, Philadelphia, PA, United States
Writer, Director & Performer: Pratima Agrawal 80 mins | Live Performance What is it like to be an unconventional Indian woman trying to exist in a marginalizing world? Voided is a solo performance inspired by Pratima’s own experiences and the true story of Kalpana Chawla (the first Indian female astronaut in space and one of the crew members who died in the 2003 Columbia accident). It iss the exploration of culture, status quo, and representation that dares to color outside the lines. BIO: Pratima is a local performing artist, teaching artist, and administrator. While she considers herself to be from Austin, TX, she moved to Philadelphia four years ago by way of Bethlehem, PA for the city’s vibrant theatre and arts scene and is inspired by the progressive community voices within and outside of the arts. She finds purpose in working on projects that challenge her as an artist and push the boundaries of art and humanity. She also volunteers for the Philadelphia Ready for 100 clean energy campaign and is a Sixers fan. She would like to thank all her collaborators for their artistry and continued support.
12 Gates Art Gallery
106 N 2nd St, Philadelphia, PA, United States
Kate Pourshariati (Penn Museum Archive) Kate is the film archivist, media cataloger, and cultural film series programmer for the Penn Museum. This program will consist of a brief introduction to US Imperialism in the Philippines, followed by a guided viewing of an independently made 1913 propaganda film that argued Filipinos were not fit for self governance. The film was produced at a time when the debate within the US Congress surrounding the Philippines status as a US Territory began to favor granting their independence. Native Life in the Philippines (1913) was a collaboration between Dean Conant Worcester, Interior Minister of the Philippines who served as director/producer and camera operator Charles Martin. Worcester is highly controversial for his views of native peoples and for the racial agenda that he promoted in support of his own personal gain as a land-owner in the Philippines under colonial rule. The film was made near the end of Worcester’s career and was produced as a work of propaganda in support of keeping the Philippines under US territorial administration. Shortly after the film’s completion, Worcester left office and embarked on a lucrative lecture tour in the US. The following year Martin became the first director of the photography lab for National Geographic magazine.
12 Gates Art Gallery
106 N 2nd St, Philadelphia, PA, United States
Wednesday, Nov. 14 | 6:30–8:30pm | 12G As one of the special events during the American Peril exhibit, PAAFF returns to Twelve Gates Arts for an evening of American propaganda. Our definition of Propaganda is content that: 1) promotes one-sided or biased information, 2) reinforces ideology central to systems of control (political, religious, class/race hierarchy), and 3) reduces complex concepts into simple dichotomies. Highly problematic by today’s standards, both Hollywood and independent filmmakers have utilized their craft to shape the opinions of the American public during times of war and during the occupation of conquered territories. Films will be introduced by and contextualized for their historical signficance. The content is offensive in its portrayal of Asian subjects, but important for understanding the causes of anti-Asian sentiment in previous generations.
12 Gates Art Gallery
106 N 2nd St, Philadelphia, PA, United States
Rob Buscher (University of Pennsylvania) Beginning with Thomas Edison’s 1898 documentary news reel footage of the Wreck of the Battleship Maine and subsequent coverage of the Spanish-American War, film has played an important role in the way that Americans understand and consume conflict. As the technology used to produce motion pictures improved and Hollywood became increasingly intertwined with the military industrial complex, economic and cultural conditions of wartime America both necessitated and encouraged through capital gain the integration of anti-Japanese propaganda in major studio films spanning the war years 1942-1945. This program will provide a brief history of the Hollywood Studio system’s emergence as the hegemonic gatekeeper of American popular media, followed by a guided viewing of anti-Japanese WWII propaganda films. Content is derived from a variety of sources, but this lecture focuses primarily on entertainment based Hollywood films (fictional narratives), documentary news reels and soldier training films produced by the US Military sponsored War Pictures, and cartoons. Selected clips include: News Reels and US War Pictures: The News Parade: Bombing of Pearl Harbor (1941) Why We Fight: Prelude to War (1942) Know Your Enemy: Japan (1945) Popular Films: Little Tokyo, USA (1942) Across the Pacific (1942) Victory Through Air Power (1943) Air Force (1943) Thirty Seconds over Tokyo (1944) Purple Heart (1944) Cartoons: Ducktators (1942) Tokio Jokio (1943) You’re a Sap, Mr. Jap (1943)
Fleisher Art Memorial
719 Catharine St, Philadelphia, PA, United States
This program of seven shorts each deal with a major transition, literal or figurative, and each challenge conventional storytelling in their execution. Fleisher Art Memorial | 61 mins Filmmakers expected in attendance for post-film Q&A. Monster Me Director: Yeon Jin Lee | 13 mins | USA An ancient monster emerges from the “Old Faithful” geyser at Yellowstone, attacking an artist in residency there, and wreaking havoc in Jackson Hole. Metamorphosis Director: Sophia You | 3 mins | USA Strangers pass each other every day on the ferries leaving and entering San Francisco - some find romance, others remain unseen. Sea of Fog explores the distance between the dreams we’re sold about love and its daily reality. Naan & Balsamic Vinaigrette Director: Urvashi Pathania | 6 mins | USA A story about love, loss, and those ephemeral salad days. Unfair & Lovely Director: Anita Kalathara | 4 mins | USA Influenced by years of color shaming, a dark-skinned Indian American woman uses lightening creams and other methods to whiten her skin. #justB Kenson’s Story Director: Kenson Alik | 3 mins | USA A Marshall Islander named Kenson is diagnosed with Hepatitis B and moves to Hawaii in search of treatment. Now, Kenson and his wife educate the Pacific Islander community in Hawaii about the disease, challenging myths about it and doing all they can to promote testing and care. Water in the Cup Director: Ikuo Kato | 6 mins | Japan A human being is like water in a bottle. But if the bottle breaks, where does the water go? Heaven is My Country Director: Tristan Hsu | 27 mins | Japan A high school freshman named Jin moves into a new town, where gets reacquainted with his older cousins. They help him adjust, but as the year progresses, Jin encounters voices, specters, and other happenings. As he tries to find a sense of self amidst the unsettling histories of this Asian American community, something from his past is haunting him as well.
Fleisher Art Memorial
719 Catharine St, Philadelphia, PA, United States
Director: Lynn Estomin 52 mins | Documentary | USA | English Living in the Story documents thirty-five years of art making by the distinguished photographic artist Patrick Ryoichi Nagatani, one of the most brilliant photographic artists of our era. In the late 1970s, he pioneered the Contemporary Constructed Photographic Movement in Los Angeles, developing a new visual vocabulary by constructing tableau photographs from sets, sculptures, models, and paintings. The film portrays an artist deeply concerned and well informed about world events who uses imagery, storytelling, and narrative fiction to raise awareness about modern anxieties with an emphasis on the threat of nuclear weapons technology. Nagatani has also explored healing techniques and states of consciousness in which the material world is transcended. Despite the serious content of his subject matter, his innovative images are compelling and entertaining. An engaging raconteur and teacher, Nagatani talks in the film about his projects, his unorthodox photographic techniques, and his subtle weaving together of fiction and fact. Scott Nagatani’s hauntingly beautiful music score provides the film’s soundtrack. Director Lynn Estomin expected in attendance.
Fleisher Art Memorial
719 Catharine St, Philadelphia, PA, United States
East Coast Premiere Director: Christopher Makoto Yogi 75 mins | Drama | Hawaii | English August at Akiko’s is a mystical film that lives in the seams between dream, reality, and memory with a time-signature all its own. Armed with just his suitcase and a sax, cosmopolitan musician Alex Zhang Hungtai (Dirty Beaches, Last Lizard) returns home to the Big Island of Hawai‘i after being away for nearly a decade. Amidst possessed sax solos and brooding strolls, Alex stumbles upon a Buddhist bed & breakfast run by a woman named Akiko (Akiko Masuda). Hungtai’s wild sax and Akiko’s Buddhist bells form the base for a rich soundtrack surrounding the unexpected new friendship and wrapping around the audience like a sonic web.
Asian Arts Initiative
1219 Vine St, Philadelphia, PA, United States
Asian Arts Initiative | 62 mins In today’s society, technology increasingly impacts how we live our lives from simple things like ordering food and taxis to finding our dating partners. Perhaps those most impacted by the omnipresence of digital technology are the post-millennial youth. This block of four narrative and one doc short explore a variety of coming-of-age situations impacted by technology. Filmmakers expected in attendance for post-film Q&A. Share Director: Barna Szász, Ellie Wen | 13 mins | USA An 18-year-old Instagram influencer attempts to reconcile his identity online with his identity in real life. Soap & Shadows Director: Donna Mae Foronda | 8 mins | USA It’s early in San Francisco when Bethany and Craig wake up from a strange sound, but instead of getting annoyed, they imagine playful scenes using the sound. Bethany is enamored by the moment, thinking Craig may be “the one.” Clique Bait Director: Anna Mikami | 15 mins | Home Kong Set in the international school community of Hong Kong, a high school girl spreads a video sexualizing her childhood friend and classmate. Halo-Halo Director: Bernard Badion | 9 mins | Hong Kong A food video blogger has trouble meeting his deadline, pining for the person he saw on the subway that morning. Can a missed connection post solve his problem? Lions in Waiting Director: Jason Karman | 17 mins | Canada The newest member of a minor league hockey team experiences hazing by his new teammates as he struggles to fit in both on and off the ice.
Asian Arts Initiative
1219 Vine St, Philadelphia, PA, United States
East Coast Premiere Director: Susann Wentzlaff & Jörg Junge 90 mins | Documentary | Tonga | German & English Being Bruno Banani tells the unique story of the first and only Tongan luger who managed to qualify in an amazingly short amount of time for the Sochi 2014: XXII Olympic Winter Games. Through his name, he also acted as the first “living brand,” using a completely new and disputed way to get around the strict IOC’s advertising regulations.
